
Cine-Teatro Garrett, Sala Principal (Main Room)
A body explores its own masculinity through the search for euphoric states with the movements of its own hips. Performativity and sensitivity are presented as a form of revolution against the normative stereotype of transmasculine expression, while, between memory and a construction of future vision, a new adolescence is lived. Prima Rosa proposes an introspective journey of resistance, in which the body becomes the vehicle for constant reinvention. — Eríc Amorim dos Santos
Eríc Amorim dos Santos (1994, Pombal) has a degree in Dance from the Escola Superior de Dança and Fontys HK.
As a dancer, his artistic expression has diverged between various styles within Hip Hop culture since 2006. As a drummer, he has played in bands and currently uses the drums as a crossover with body practices.
As a performer, he has worked on creations by Marco da Silva Ferreira, Daniel Matos, Gaya de Medeiros, Aura da Fonseca, Diana Niepce, Margarida Belo Costa, and Filipa Peraltinha. As a creator, his first solo piece, “GA,” premiered at TBA as part of the Ou.kupa festival.
Creation and interpretation Eríc Amorim dos Santos
Dramaturgy and Artistic Assistance Maurícia Barreira Neves
Original music Rui Lima and Sérgio Martins
Light design Pedro Guimarães
Lighting operation Ana Luísa Novais
Sound Operation Francisco Silva
Costumes Du Fonseca
Video Mário M.Fonseca
Production Support Catarina Corujeira
Artistic Residencies Produções Real Pelágio / Teatro da Voz; CAMPUS Paulo Cunha e Silva, CRL – Central Elétrica, Estúdios Vítor Cordon, Espaço Alkantara, Sekoia – Artes Performativas, Eixo Residências
Co-production in residence Pensamento Avulso _ QUINTA
Co-production Instável Centro Coreográfico, Teatro Municipal do Porto
Financial support Fundação Calouste Gulbenkian
Duration ≈ 50 minutes ● 12+
Photo © João Octávio Peixoto/DDD